Released in November 2016
Over the last few years, I’ve met and married my husband, moved from London to Manchester, bought a rundown house and renovated it from top to bottom and during the production of this album, became pregnant, wow!
When I first met my future husband, he told me he was a Salvationist. I had never met a Salvationist before and my only knowledge of the Salvation Army was ‘Christmas Bands’. I knew about Christianity having worshiped at the United Reformed Church until the age of 14 when I stopped attending. Adam invited me to learn more about his church. However, I was angry with God, I didn’t want to acknowledge his presence and influence in my life. I didn’t understand why things had happened in my past and couldn’t accept the many family tragedies we had been through. Reluctantly, I agreed to attend a service at Leighton Buzzard and was overwhelmed by the welcome. Slowly through the ministry of Majors Michael and Jackie Bainbridge I began to understand and forgive.
After our wedding I started to attend soldiership classes with Janine Skinner and Lt Col Joy Bale who both taught me so much. They were both open to discuss everything: my questions and my doubts as my faith deepened and strengthened during our sessions together. I became a Soldier on 27th July 2014, which unfortunately happened to be our last Sunday before we moved to Manchester. Whilst I never really got the chance to be a uniformed Salvationist at my home Corps, everyone at Leighton Buzzard will forever be close to my heart. We now enjoy worshiping together at Sale Corps.
For many people the saxophone is only associated with Jazz, Big Bands, Baker Street, Wind Bands and occasionally Orchestras. The Salvation Army of course used to have saxophones in their bands in the early 1900s. For this album I wanted to bring together the two musical worlds that play an important part in my life: the music I play in my professional capacity and the new music available to me from vast library published by The Salvation Army.
I would like to thank: my father-in-law, Stuart, for sharing his encyclopedic knowledge of Army music with me. My musical mentor and guide, Professor Linda Bangs-Urban, who has played such an important part in my life; Elliott, Chris and Saad for their exceptional musical support on this album and the team at World of Sound, thank you for your patience and professional input.
And of course, thank you to my loving husband Adam, for his continued support in all I do and for bringing me into a greater knowledge of God through his church and now mine The Salvation Army.
- None but the lonely Heart
I’ve played this tune sometimes in my saxophone recitals. I’ve always known it as Op.6 No 6. from Tchaikovsky’s set of six romances for voice and piano. But in the Salvation Army there are words from the pen of Will J. Brand published under the title 'A Pilgrim-Prayer.' The words speak of the Christian Pilgrim longing to have his Lord listen to his prayers – and even though the prayers may be hesitant, that they will surely reach Him. Pleading, I call to Thee; bow down and hear me, Not from Thy distant throne but draw Thou near me; A sign doth move Thy heart, a tear beseech Thee, Lord! e’en my falt’ring prayer must surely reach Thee. Longing, I turn to Thee, desire a waking For that same Living Bread which Thou art breaking; For Wine, Thy life in me so richly flowing, For love like Thine in ev’ry action showing, For grace to tread the path which Thou art taking. Trusting, I lean on Thee; Thy hand shall hold me; And if the shadows fall and darkness fold me, No evil will I fear with Thee beside me; Lord wilt be light to me, Thy steps shall guide me. Friend of my pilfrim heart it’s Burden Bearer E’en as I walk with Thee all life grows fairer; Oh. Hold me in the path wherein Thou goest, With glad contentment that the way Thou showest Thy feet ere now have trod, Divine Wayfarer.
- Heaven came down
I remember singing this melody when I attended Sunday School at the URC church. I didn’t really know the full meaning of the words I was just fascinated by the lilting rhythm. Since becoming a Salvationist this is now my testimony. O what a wonderful, wonderful day, Day I will never forget; After I’d wandered in darkness away, Jesus my Saviour I met. O what a tender, compassionate friend, He met the need of my heart; Shadows dispelling, With joy I am telling, He made all the darkness depart!
Op. 34, No. 14, is a song by Sergi Rachmaninoff dedicated to Antonina Nezhdanova composed and published in 1915 as the last of his "Fourteen Songs", Op. 34. Written for high voice with piano accompaniment. It contains no words, but is sung using any one vowel (of the performers’ choosing). I love playing this melody, it just plays itself and can sing almost any emotion you try to portray. I wanted the listener to feel a sense of abandonment and loss.
This beautiful melody has been my encore number for many concerts and recitals. The melody sings above a rich chunky piano part that rises and falls.
- Water’s Edge
If there was one composer I would have loved to have met, its Ray Steadman-Allen. Everyone speaks so warmly about him and when my husband was studying at Canterbury university he attended Chatham Corps and he had the privilege of getting to know RSA. To pay homage to the time Adam spent at Chatham, I wanted to include an RSA number, the challenge was to choose just one from the vast list of published pieces. When I first heard Water’s Edge I fell in love with the melody, the words too. The words by Brigadier Miriam Richards tell how Jesus taught by the seaside and took a nearby boat to teach the multitudes that thronged and how they were taught about the kingdom of God. Jesus taught by the seaside; A boat was at hand, set close to the land, And there by the seaside, by the seaside, Where the multitudes thronged on the strand, He taught of the kingdom of God. Even yet, by the sea, Down where the wavelets lap soft on the shore, I think of the Kingdom of God. Jesus walked by the seaside And called men to dare and follow Him there; To come from the seaside, from the seaside And to join Him in labour and prayer, And enter the kingdom of God. Even yet, by the sea, Down where the wavelets lap soft on the shore, I think of the kingdom of God.
I was first introduced to this melody by Bruce Weinberger my saxophone tutor when I lived in Switzerland and it has been a special piece to me ever since. The melody is haunting and yet sweet - with a sense of heartbreak and remorseful tones in the middle. It was a special moment when recording this with Elliot, the atmosphere in the studio was very charged!
- Let’s Celebrate
When I made the decision to become a Salvation Army solider my new friends at Leighton Buzzard were so excited they just wanted to celebrate. This is a celebration song about the coming of Christ born as a baby. The composer Andrew Blyth is well known in The Salvation Army and has known and encouraged my husband since his was a little boy. The powerful lyrics from William Hastings are given a dazzling upbeat rhythm by Andrew. I hope you get a sense of the enjoyment we had recording this track as well as the excitement we all share as Christians in celebrating the birth of Christ each Christmas. Refrain Come on and sing! Let’s celebrate! Celebrate the coming to earth of Jesus. Praise his holy name, Celebrate the Prince of Peace. Come on and sing! Let’s celebrate! Celebrate the coming to earth of Jesus. Praise our mighty God, Celebrate the King of kings. 1.The Saviour came this world to serve, his life freely gave; So we must give our lives in service today. He came with love that men would seek the love of God And know their hearts from sin could be free. He came with pow’r that men could build a better world And live in love eternally. 2.The Saviour came this world to save, his life sacrificed; So we must lift our songs to praise him each day. He came with hope that men would seek a better way And know their world reborn then could be. He came with joy that men could have true happiness and live in peace and harmony. Celebrate the promise of God.
- Begin the Day with God
One Sunday I was asked to play a saxophone solo at Leighton Buzzard Corps during the morning service. Accompanied by Adam I played this piece that until then was completly unknown to me. Apart from being the very first solo I played in an Army hall, this piece was my introduction to the wealth of music published by The Salvation Army. Eric Ball takes the reflective lyrics of May Pike and in my opinion has produced a perfect match of words and music. Begin the day with God! My waking thought a swift appeal Ere to the waiting task I turn, Thine aid to feel. Begin the day with God! O offer sacrifice anew, Myself, my time, my service give, The whole day through. Begin the day with God! A hymn of praise My heart shall sing; The theme of Love’s redeeming power triumphant ring!
- Bring him Home
The lyrics and melody of ‘Bring Him Home’ became an ear worm after my husband and I went to see this show, so much so that we just kept singing it together for days. God on high Hear my prayer In my need You have always been there He is young He's afraid Let him rest Heaven blessed. Bring him home Bring him home Bring him home. He's like the son I might have known If God had granted me a son. The summers die One by one How soon they fly On and on And I am old And will be gone. Bring him peace Bring him joy He is young He is only a boy You can take You can give Let him be Let him live If I die, let me die Let him live Bring him home Bring him home Bring him home.
- Other Sheep
When I visit my in-laws I like to spend time in their music room and look through the library of Army music they have. One day I came across the manuscript music for Other Sheep. I had no idea who Joy Webb was but I came to hear how my mother-in-law was a Sunbury Junior Singer and at one time Singing Company Leader at Maidenhead. It was during that time that Joy used Maidenhead Singing Company in some recordings. This track was not recorded but used for another event when the Singing Company, conducted by Joy, sang at the Methodist Central Hall Westminster. The lyrics are also by Joy. I am the Good Shepherd I give my life for the sheep, All who come before me are not concern the safety of my flock to keep, I am the Good Shepherd I know my sheep by name, And tho’ they may wander causing me concern, my love remains the same, Other sheep have I not amongst the fold, I must bring them also, They will hear my voice and will my love behold, Other sheep have I not amongst this fold, They will hear my Voice Calling them to make their choice, Other sheep have I.
- Ave Maria
I hold a concert for my instrumental students twice a year and one of my students presented this piece. It’s such a popular and much-recorded setting of the Latin text Ave Maria and the melody was used by Bach who superimposed it over his prelude No. 1 in C major. It’s just so beautiful I just had to play it. Hail Maria Full of grace The Lord is with thee Blessed art thou among women And blessed is the fruit Of thy womb, Jesus Holy Maria, Holy Maria Maria, pray for us Us sinners Now and in the hour Of our death Amen.
- Swing Low, Sweet Chariot
I’ve already mentioned my in-law’s music room. As well as a piano there is a range of brass instruments and a string bass as well as a cabinet full of music. One day whilst I was doing some saxophone practice I started to play through music already on the music stand and came across this solo. Written for solo trombone and wind band, I think you’ll agree it works just as well for saxophone. Swing low, sweet chariot, Coming for to carry me home. Swing low, sweet chariot, Coming for to carry me home. I looked over Jordan, what do I see, Coming for to carry me home. A band of angels coming after me, Coming for to carry me home. Swing low, sweet chariot, Coming for to carry me home. Swing low, sweet chariot, Coming for to carry me home.
- Jesus paid it all
After moving to Manchester we linked up with the Salvation Army Corps in Sale. During our first Easter weekend there the Songsters sang this song ' Jesus paid it all.' The words from Elvina Hall (no relation) and music from John Grape are well known in the United States. As the Songsters sang, the words made such an impact on me I just had to record it for this album. I can hear the Saviour say Thy strength indeed is small Child of weakness, watch and pray Find in me thine all in all. Refrain: Jesus paid it all All to Him I owe Sin had left a crimson stain He washed it white as snow. Lord, now indeed I find Thy power and Thine alone Can change the leper's spots And melt the heart of stone. For nothing good have I Whereby Thy grace to claim I'll wash my garments white In the blood of Calvary's Lamb. And when before thy throne I stand in Him complete Jesus died my soul to save My lips shall still repeat.
- Cindy Noel
Stephen Bulla wrote this catchy tune for the jazz trombonist Herb Bruce for his album Everlasting Love. Played in a Zydeco Grove style, this track brings to this album the style of music I play in my professional life. The piece he wrote for his wife Randie. When I play at wedding receptions the object is to get people on the dance floor. I dare you to sit motionless during this exciting track.
- In this quiet moment
When I heard this song being sung by Leighton Buzzard Songsters I was challenged by the powerful lyrics from John Gowans, 'In this quiet moment, make a better me.' All the years that I had been angry with God for things that had happened melted away. I wanted to be a better person and accepted God into my heart and life. In this quiet moment, still, before your throne, Conscious of your presence, knowing I am known, In this quiet moment set my spirit free; In the quiet moment, make a better me!
- Med en Primula veris & En Drom
I first heard these Grieg songs played by Harry White whilst studying for my Masters degree in Germany. The cascading melodies are a joy to play. Med en Primula veris Opus 26 Nr.4 ranslates as ‘The first primrose’ or sometimes known as the Mayflower. En Drom, Opus 48 Nr.6 or ‘A Dream’ and is a thought to be one of the oldest known secular songs in the Nordic countries. Med en Primula veris You mild spring, beautiful child, Take the first spring plum, and cast it not aside, because you know that Summer’s roses come. Alas, bright and beautiful is summer’s light and rich is life’s harvest,but spring is lovelier with the pleasure and caprice of love. And you and I, my slender maiden, are we not flushed with the spring? So take my flower and give back your young heart’s sweetness. En Drom I saw once in a dream a beautiful maiden, so fine and pure. We sat on the forest’s light edge among Spring’s young trees. And the bud burst and the river swelled. The distant village’s noise and sound by us in our arbor was heard where we sat hidden in blessed happiness. But much more than a dream life itself became a lovely day. It was on the forest’s light edge and under Spring’s light canopy. And the river swelled and the bud burst, and all was distant. Only you were close, and at my breast I held you firm Now I will never let you go again! Never more! Never more! O moment of meeting on the edge of the forest, with Spring’s light, airy canopy! There my day became a dream, there my dream became a wonderful day!
- My Jesus, I love Thee
I had to add a track in this album and reference Maidenhead Citadel Band, and the home Corps of my husband. They are a Corps band happy to have saxophone’s in their band, I love it. The band also sing on their programmes and this song, words by William Ralph Featherstone was an arrangement for male voices is used often by the band. My Jesus, I love Thee, I know Thou art mine; For Thee all the follies of sin I resign; My gracious Redeemer, my Saviour art Thou; If ever I loved Thee, my Jesus, ’tis now. I love Thee because Thou hast first loved me, And purchased my pardon on Calvary’s tree; I love Thee for wearing the thorns on Thy brow; If ever I loved Thee, my Jesus, ’tis now. I’ll love Thee in life, I will love Thee in death, And praise Thee as long as Thou lendest me breath; And say when the death dew lies cold on my brow, If ever I loved Thee, my Jesus, ’tis now. In mansions of glory and endless delight, I’ll ever adore Thee in heaven so bright; I’ll sing with the glittering crown on my brow, If ever I loved Thee, my Jesus, ’tis now.
- Our Father
To finish this album, I wanted to turn to a prayer and what better prayer could there be than the prayer Jesus taught his disciples, the Lord’s Prayer. And with this arrangement I thank the Soldiers and friends of Leighton Buzzard Corps for their support, guidance and prayers for me. Gordon Camsey was my very kind and supportive Bandmaster at Leighton Buzzard and I thank him for his patience whilst I was learning to play a brass instrument in his band. For Thine is the Kingdom the power and glory, for ever and ever, Amen.
Article published in the Salvationist July 2017
Press/Forgiveness, Faith and Freedom
Press/Saira Clegg is a rare talent
Artists involved in the production
A talented pianist, accompanist and tuba player, Elliot studied at Wells Cathedral School before entering the Royal College of Music to study piano and tuba. He has performed as a piano soloist twice at the Royal Albert Hall as well as playing Tuba with various London orchestras. Elliot is in high demand as a rehearsal pianist.View Profile
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